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[MP3CD audiobook format in Vinyl case.]
[Read by Nadia May -aka- Wanda McCaddon]
Beginning with her harsh childhood in Nazi-occupied Holland, Warren Harris chronicles Audrey Hepburn's meteoric rise to Hollywood stardom: her chance encounter with Colette that led to the lead role in the Broadway version of Gigi, and her first starring role in Roman Holiday, for which she won the Academy Award for Best Actress.
Hepburn played opposite the top leading men, worked for the best directors, and picked from a wide range of roles. She memorably embodied Truman Capote's Holly Golightly in Breakfast at Tiffany's and went from rags to Technicolor Victorian beauty in My Fair Lady. Warren Harris also traces Hepburn's affairs and unhappy marriages, as well as her later work as goodwill ambassador for UNICEF. Throughout the book he illuminates her special ability to exude grace and style, both on screen and off.
- Sales Rank: #4255779 in Books
- Published on: 2010-01-01
- Formats: Audiobook, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 7.40" h x .60" w x 5.30" l, .22 pounds
- Running time: 41400 seconds
- Binding: MP3 CD
From Library Journal
Harris interviewed many of Hepburn's close friends and relatives and scoured materials already written to come up with this flattering but interesting factual account of Hepburn's life-the first full-scale biography since her untimely death. Hepburn's luminous beauty and angular elegance lit up the motion picture screen for over 30 years, yet she kept her private life private. Here, Harris chronicles Hepburn's dream of becoming a ballerina and her entry into the theater. Colette herself wanted Hepburn for the title role in the stage play of Gigi on Broadway, and with her first starring film role (in Roman Holiday) Hepburn won an Oscar. Harris also details Hepburn's less gratifying personal life, from her early years in Nazi-occupied Holland and the loss of her mother to two failed marriages and fewer children than she had hoped for. This engrossing biography is rich in details about the making of Hepburn's films at a time in Hollywood-and the world-we may never know again. Recommended for public libraries.
Rosellen Brewer, Monterey Bay Area Cooperative Lib. System, Cal.
Copyright 1994 Reed Business Information, Inc.
From Booklist
This is nowhere near as fully developed as Diana Maychick's Audrey Hepburn , which was written with the assistance of its subject, but libraries wanting more than one look at Hepburn's life will find it a serviceable second choice. Most of the information in both books is the same: Hepburn's frightening childhood in Nazi-occupied Holland, her quick ascent to movie stardom, her unsatisfactory marriages, and the happiness she finally achieved in raising her long-awaited sons. Veteran stargazer Harris does have a slightly different take on Hepburn's mother, who is usually remembered as a resistance fighter; Harris doesn't dispute her resistance activities late in the war but presents evidence showing that she was a Nazi sympathizer early in the conflict. Recommended for larger collections. To be illustrated with 16 pages of black-and-white photographs. Ilene Cooper
From Kirkus Reviews
A spiritless biography of one of the most inspiring of all motion picture stars. Certainly this fine actress and great beauty is a natural for biographical treatment. She was born in Brussels to a British father and Dutch mother. Her father deserted the family when Audrey was six, and Audrey and her mother found themselves trapped in Holland when the Nazis invaded. As a child, she saw the horrors of German occupation and later did some work for the Resistance. After the war, she sought work as a dancer, but her personality was so strong that she was pulled forward and made into an instant star with her first Broadway play (Gigi) and her first motion picture (Roman Holiday), for which she won an Oscar. She achieved recognition as both a wonderful performer and as one of the defining images of feminine beauty. After her leading lady days had ended, she turned to charitable activities and became a tireless worker for UNICEF. Harris (Lucy & Desi, 1991) has clearly done his research. There is much information here, some of it new, such as the revelation that Hepburn's parents were involved with Sir Oswald Mosley's preWW II fascist movement. Hepburn emerges as a truly admirable person, seemingly beloved by all who came into contact with her. Unfortunately, there is no magic in Harris's writing to match the magic in Hepburn's performances. When his prose isn't flat, it's either ungrammatical (``But who knew then that except for being heavily bombed, England would never be conquered or occupied by Nazi Germany'') or awkward (``She seemed to walk on music''). Nor does he attempt more than the most superficial analysis of Hepburn's talent or mystique. Audrey Hepburn seems destined to be remembered as one of the screen's lasting icons, and she deserves a first-rate biography. Sadly, this isn't it. (16 pages of b&w photos, not seen). -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A Promise
By alexander laurence
With a face that still resonates over the McCarthy era of Hollywood, Audrey Hepburn was an elegant image of purity in a corrupt world. Unlike Elizabeth Taylor, Audrey's image never tanished and she a backseat only to Marilyn Monroe as Hollywood's most famous leading lady.
Audrey's life is mostly public facts: she married a second rate actor, Mel Ferrer; won an Academy Award for her first film, Roman Holiday, and a Tony for Ondine; earned five Oscar nominations; had two sons and obsessed over her career and family; and remarried an Italian playboy. But only an Audrey insider like Harris can go beyond the well-known myth making and draw a complete picture.
Previously it has only been the subject of major speculation, but Harris confirms that Hepburn had several affairs with her leading men such as William Holden. The biography isn't all gossip though. Harris covers the later movies and Andrey's work with UNICEF. Although this prjects her Mother Teresa side, what is really interesting about Audrey is not her war experiences, her rise to fame, or her post-Wait Until Dark family life, but the period between 1952 and 1967 when she made fifteen great films including Charade and Two For The Road.
Harris recognizes Hepburn's peak in the 1960s and uses the bulk of the book to detail this period of her life, but his knowledge doesn't protect him from the obvious shortcomings in his own work. He does tend to be repetitive. He's not much of a prose stylist. Beyond that, there is another major gripe to raise: there are only sixteen pages of Audrey photos in this book, and they don't go far beyond the standard postcard set. Obviously, anyone reading a Hepburn biography craves that classic look and an illustration of the movement from film to film.
4 of 5 people found the following review helpful.
Why many grew so accustomed to her face
By Daniel J. Hamlow
Warren G. Harris's biography on Audrey Hepburn is an unbiased, straight-ahead account that details her ups and downs, from her childhood in the war-torn Netherlands, her first starts at stardom in England, her breakthrough in Roman Holiday, marriages to Mel Ferrer and Andrea Dotti, to her declining movie career from the late 1970's onward, and to her work as UNICEF spokesperson.
The initial quotes from Billy Wilder, Cecil Beaton, Hubert Givenchy, and Stanley Donen give what made Hepburn a star. Wilder says that God kissed her with that gift of stardom. True enough: that 5'7" height, slender birdlike figure, prominent eyebrows, squared off chin, princess-like elegance and beauty that continued in her fifties, a wistful fragility, and soft voice that spoke perfect English and ended a sentence in a girlish query. And that European sophistication she exuded no doubt came from a multinational heritage that included British, Dutch, Austrian, Hungarian, French, Scotch, and Irish. And she is very distantly related to Katherine Hepburn, as both traced their lineage to James Hepburn, Earl of Bothwell, the third husband of Mary Queen of Scots.
And she was a professional actress, someone striving for perfection and a trooper when it came to her work. She took time studying her background material, whether it be reading Tolstoy's War And Peace, where she played Natasha Rostova, Kathryn Hulme's biography on her experiences as a nun, and even going to see Hulme, resulting in The Nun's Story, and her going to a college for the blind for her part as Susy Hendrix in Wait Until Dark. That's not to say Audrey was perfect. Her one vice, smoking, came from the cigarettes she saw American soldiers smoking when her homeland was liberated. She became addicted to life on them.
Hepburn's wartime hardships in occupied Netherlands is given quite some coverage because the experiences affected her later in life. One was the closeness to her mother and brothers, one of whom, Alexander, became a "diver," people who avoided conscription by the Axis army by hiding. Second, being malnourished in the final years of war led to a metabolism that prevented her from significantly gaining weight. And finally, the suffering she went through made her empathize with the starving children in Africa when she joined up as a UNICEF spokesperson during the last years of her life. Her generosity extended to Givenchy, whom she fought to get him credit for his designs, and to William Wyler, to whom she felt indebted for Roman Holiday and thus agreed to star in The Children's Hour, which wasn't among her best movies.
All of Hepburn's movies, from her bits parts beginning with 1948's Dutch In 7 Easy Lessons through her final performance in Always, depending on how significant the movie, is given 5 to 7 pages coverage, from a brief synopsis, recollections by Hepburn herself, the directors, and co-stars. So far, the only person who hated Hepburn was her Sabrina co-star Humphrey Bogart, who thought Audrey, Billy Wilder, and others were conspiring against him. Others, such as her Roman Holiday co-star Gregory Peck, were gentlemanly.
Harris hits early on that actor Mel Ferrer, husband #1, was constantly being overshadowed by his wife, as he never got into the star tier and that led to a simmering resentment that finally ended their marriage.
Harris's coverage on her career is unbiased. He gives what the critics thought of her performances and movies, even bad ones like Paris When It Sizzles and Always, where she was clearly the best thing in the film. But through it all, he makes it clear why many, myself included, grew accustomed to her face.
1 of 1 people found the following review helpful.
You Have to Love This Dame, Even If You Don't Love This Book
By Samuel Leiter
Warren G. Harris's biography of Audrey Hepburn is essentially boilerplate stuff, compiling all the well-known information about her life (up to 1994, shortly after her death), and adding some surprises for those who always thought that Audrey was Hollywood's answer to Mother Theresa. Knowing that she had several hot and heavy affairs with actors like William Holden and Ben Gazzara humanizes her yet never threatens to truly besmirch her virginal image, since the men she married were--as husbands--rather unfortunate choices, and she always rose above their infidelities and other shortcomings by being a wonderful mother and human being.
Harris's prose sometimes tries to engage the reader with rhetorical questions and other gossipy techniques, but these are intrusive in what is always an engaging and fascinating story. Hepburn had many interesting experiences, especially her well-known life in war-torn Holland, the fascist leanings of her parents, her rise to fame on stage and screen, her lovers and husbands, her family life, her career difficulties in her later years, and her remarkable work for UNICEF. These are all dutifully chronicled with many quotes from those who knew and or worked with her, but Harris falls down seriously in offering only a rather limited two and a quarter page bibliography and not a single attribution of any of his quotes. I don't like biographies of celebrities that sound like doctoral theses and come burdened with excessive notes and citations, but a happy medium has to be struck and readers have to know where particular quotes come from. Often, I'd read something that took me by surprise and demanded that the source be unveiled beyond a he said or she said comment in the text.
Unlike the best biographies of movie stars, this one doesn't try to offer deep (or even moderately incisive) analyses of either its subject's acting or films, and generally is content to report the general critical response to a particular performance or movie. You get the basic plot, the basic facts about success or failure, and then it's on to the next movie. I was disturbed to read about how much effort had been put into making the artificial jungle in Green Mansions, when director Mel Ferrer chose not to film on location, but not a word about how phony the eventual film looked despite all the hard work. I sometimes had the feeling that Harris had not even viewed the movies again in preparation for the book, but simply depended on whatever he'd read about them; judging by the relative sparsity of his bibliography, this couldn't have been that much.
Still, the book is never boring and is a good choice for reading on the beach. You'll get a decent overview of this wonderful actress's life and achievements, and, if you really love her, will want to move on to something more substantial, and far better illustrated, like Hepburn's son Sean Ferrer's tribute to his mother.
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